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Book List
Afro-Cuban Voices: On Race and Identity in Contemporary Cuba by Pedro Pérez Sarduy; Jean Stubbs; Pedro Pérez Sarduy
From the forewords: "At a time when Cuba is undergoing immense economic and social changes, race becomes a kind of cultural litmus test for the national identity. . . . This anthology illustrates fully that it is possible to be both revolutionary and black in Cuba."--Manning Marable, Columbia University "The authors of Afro-Cuban Voices, also key actors in the new, unfolding dialogue about race in Cuba, make a seminal contribution through a forthright critique of 'racial blind spots' in official history and present-day racial discrimination."--James Early, director of cultural studies and communication, Smithsonian Institution From the series editor: "A courageous attempt to deal head-on with the issue of race in Cuba today. . . . Pérez Sarduy and Stubbs [seek to] put a human face on this debate, and do so well. The book will be received with relief by some and with frustration by others. Controversial it will undoubtedly be, since--as with most things Cuban--strong emotions are a given assumption. It will be an admirable beginning for the series and, it is hoped, will spark a much-needed debate in the United States on many aspects of the 'Cuban question.' It is about time."--John M. Kirk Based on the vivid firsthand testimony of prominent Afro-Cubans who live in Cuba, this book of interviews looks at ways that race affects daily life on the island. While celebrating their racial and national identity, the collected voices express an urgent need to end the silences and distortions of history in both pre- and postrevolutionary Cuba. The 14 people interviewed--of different generations and from different geographic areas of Cuba--come from the arts, the media, industry, academia, and medicine. They include a doctor who calls for joint U.S.-Cuban studies on high blood pressure and a craftsman who makes the batá drums used in Yoruba worship ceremonies. All responded to four controversial questions: What is it like to be black in Cuba? How has the revolution made a difference? To what extent is that difference true today? What can be done? Exposing the contradictions of both racial stereotyping and cultural assimilation, their eloquent answers make the case that the issue of race in Cuba, no matter how hard to define, will not be ignored. A volume in the series Contemporary Cuba, edited by John M. Kirk
ISBN: 0813017351
Publication Date: 2000
Afro-Latinos in the U.S. Economy by Michelle Holder; Alan A. Aja
Afro-Latinos in the U.S. Economy outlines the current position and status of Afro-Latinxs in the economy of the United States. Very little research has thus far been disseminated in the field of economics on the contributions of Afro-Latinxs regarding income and wealth, labor market status, occupational mobility, and educational attainment. On the other hand, cultural studies, literary criticism, and social science fields have produced more research on Afro-Latinxs; the discipline of economics is, thus, significantly behind the curve in exploring the economic dimensions of this group. While the Afro-Latinx community constitutes a comparatively small segment of the U.S. population, and is often viewed as the nexus between two of the country's largest minority groups--African Americans and Latinxs, who comprise 13 percent and 17 percent, respectively, of the U.S. population--Holder and Aja outline how the group's unique economic position is different than non-black Latinxs. Despite possessing higher levels of education relative to the Latinx community as a whole, U.S. Afro-Latinxs do not experience expected returns in income and earnings, underscoring the role anti-Blackness plays in everyday life regardless of ancestral origin. The goal of this book is to provide a foundation in the economic dimensions of Afro-Latinxs in the U.S. which can be used to both complement and supplement research conducted on this group in other major disciplines. "
ISBN: 9781498546249
Publication Date: 2021
Afro-Latinx Digital Connections by Eduard Arriaga (Editor); Andrés Villar (Editor)
This volume presents examples of how digital technologies are being used by people of African descent in South America and the Caribbean, a topic that has been overlooked within the field of digital humanities. These case studies show that in the last few decades, Black Latinx communities have been making themselves visible and asserting long-standing claims and rights through digital tools and platforms, which have been essential for enacting discussions and creating new connections between diverse groups. Afro-Latinx Digital Connections includes both research articles and interviews with practitioners who are working to create opportunities for marginalized communities. Projects discussed in this volume range from an Afrodescendant digital archive in Argentina, blog networks in Cuba, an NGO dedicated to democratizing technology in Brazilian favelas, and the recruitment of digital media to fight racism in Peru. Contributors demonstrate that these tools need not be state of the art to be effective and that they are often most useful when employed to sustain a resilience that is deep and historically grounded. Digital connections are shown here as a means to achieve social justice and to create complex self-representations that challenge racist images of Afrodescendant peoples and monolithic conceptions of humanity. This volume expands the scope of digital humanities and challenges views of the field as a predominantly white discipline. Contributors: Sandra AbdAllah-Álvarez | Adebayo Adegbembo | Maya Anderson-González | Eduard Arriaga | Silvana Bahia | Yvonne Captain | Monica Carrillo | Yancy Castillo | Alí Majul | Maria Cecilia Martino | Andrés Villar A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L?Hoeste and Juan Carlos Rodríguez
ISBN: 9781683402046
Publication Date: 2021
AfroLatinas and LatiNegras: Culture, Identity, and Struggle from an Intersectional Perspective by Rosita Scerbo (Editor)
AfroLatinas as a subject of scholarship are woefully underrepresented, and this edited volume, AfroLatinas and LatiNegras: Culture, Identity, and Struggle from an Intersectional Perspective, offers an important and timely intervention. The consistent attention to AfroLatinas' agency across all the chapters is empowering and attentive to the difficult circumstances of asserting that agency, and to the tremendous breadth of what agency can look like. The authors argue for the analytical power of the concept of Intersectionality while considering the hegemonic pressures on AfroLatinidad and the essentializing moves that an intersectional approach enables: evading, overthrowing, and resisting systems of power. Through the study of multiple cultural expressions of Blackness, such as photography, colonial inquisition records, dance, music, fiction, non-fiction, poetic memoir, and religious expression, and throughout different region of the Americas, the chapter contributors of this book consider the relationship that social and historical processes, such as sovereignty and colonialism, have on narrative and cultural production. Rosita Scerbo, Concetta Bondi, and the contributors acknowledge that racial and gender equity cannot exist without Intersectionality, and the inclusion of activist voices broadens this volume's reach and links theory to praxis.
ISBN: 9781666910339
Publication Date: 2022
The Beacon Best of 1999: Creative Writing by Women and Men of All Colors by Ntozake Shange (Editor)
Announcing the alternative literary annual. Less than one third of the writing in annuals such as the Pushcart prize & Best American Short Stories is by people of color & women, yet some of the freshest & most innovative voices are those of women & men not usually heard. The book rewrites the ration by redefining the center. With the best poetry, short fiction, & creative nonfiction published in English over the past year, from some of our greatest writers as well as rising stars, it is the alternative literary annual.
ISBN: 0807062200
Publication Date: 1999
Black Bodies, Black Rights: The Politics of Quilombolismo in Contemporary Brazil by Elizabeth Farfán-Santos
Under a provision in the Brazilian constitution, rural black communities identified as the modern descendants of quilombos--runaway slave communities--are promised land rights as a form of reparations for the historic exclusion of blacks from land ownership. The quilombo provision has been hailed as a success for black rights; however, rights for quilombolas are highly controversial and, in many cases, have led to violent land conflicts. Although thousands of rural black communities have been legally recognized, only a handful have received the rights they were promised. Conflict over quilombola rights is widespread and carries important consequences for race relations and political representations of blackness in twenty-first century Brazil. Drawing on a year of field research in a quilombola community, Elizabeth Farfán-Santos explores how quilombo recognition has significantly affected the everyday lives of those who experience the often-complicated political process. Questions of identity, race, and entitlement play out against a community's struggle to prove its historical authenticity--and to gain the land and rights they need to survive. This work not only demonstrates the lived experience of a new, particular form of blackness in Brazil, but also shows how blackness is being mobilized and reimagined to gain social rights and political recognition. Black Bodies, Black Rights thus represents an important contribution to the rapidly growing interdisciplinary field of Afro-Latino studies.
ISBN: 9781477309223
Publication Date: 2016
The Cinema of Sara Gómez: Reframing Revolution by Susan Lord (Editor)
Throughout the 1960s until her untimely death in 1974, Afro-Cuban filmmaker Sara Gómez engaged directly and courageously with the social, political, economic, and cultural transformations promised by the Cuban Revolution. Gómez directed numerous documentary films in 10 prolific years. She also made De cierta manera (One way or another), her only feature-length film. Her films navigate complex experiences of social class, race, and gender by reframing revolutionary citizenship, cultural memory, and political value. Not only have her inventive strategies become foundational to new Cuban cinema and feminist film culture, but they also continue to inspire media artists today who deal with issues of identity and difference. The Cinema of Sara Gómez assembles history, criticism, biography, methodology, and theory of Gómez's work in scholarly writing; interviews with friends and collaborators; the film script of De cierta manera; and a detailed and complete filmography. Featuring striking images, this anthology reorients how we tell Cuban cinema history and how we think about the intersections of race, gender, and revolution. By addressing Gómez's entire body of work, The Cinema of Sara Gómez unpacks her complex life and gives weight to her groundbreaking cinema.
ISBN: 9780253057044
Publication Date: 2021
Creole Religions of the Caribbean: An Introduction from Vodou and Santeria to Obeah and Espiritismo by Lizabeth Paravisini-Gebert; Margarite Fernández Olmos; Joseph M. Murphy (Foreword by)
A comprehensive introduction to the syncretic religions developed in the Caribbean region Creolization--the coming together of diverse beliefs and practices to form new beliefs and practices--is one of the most significant phenomena in Caribbean religious history. Brought together in the crucible of the sugar plantation, Caribbean peoples drew on the variants of Christianity brought by European colonizers, as well as on African religious and healing traditions and the remnants of Amerindian practices, to fashion new systems of belief. Creole Religions of the Caribbean offers a comprehensive introduction to the syncretic religions that have developed in the region. From Vodou, Santería, Regla de Palo, the Abakuá Secret Society, and Obeah to Quimbois and Espiritismo, the volume traces the historical-cultural origins of the major Creole religions, as well as the newer traditions such as Pocomania and Rastafarianism. This second edition updates the scholarship on the religions themselves and also expands the regional considerations of the Diaspora to the U. S. Latino community who are influenced by Creole spiritual practices. Fernández Olmos and Paravisini-Gebert also take into account the increased significance of material culture--art, music, literature--and healing practices influenced by Creole religions.
ISBN: 9780814762271
Publication Date: 2011
Finding Afro-Mexico: Race and Nation after the Revolution by Theodore W. Cohen
In 2015, the Mexican state counted how many of its citizens identified as Afro-Mexican for the first time since independence. Finding Afro-Mexico reveals the transnational interdisciplinary histories that led to this celebrated reformulation of Mexican national identity. It traces the Mexican, African American, and Cuban writers, poets, anthropologists, artists, composers, historians, and archaeologists who integrated Mexican history, culture, and society into the African Diaspora after the Revolution of 1910. Theodore W. Cohen persuasively shows how these intellectuals rejected the nineteenth-century racial paradigms that heralded black disappearance when they made blackness visible first in Mexican culture and then in post-revolutionary society. Drawing from more than twenty different archives across the Americas, this cultural and intellectual history of black visibility, invisibility, and community-formation questions the racial, cultural, and political dimensions of Mexican history and Afro-diasporic thought.
ISBN: 9781108493017
Publication Date: 2020
The Floating Borderlands: Twenty-Five Years of U.S. Hispanic Literature by Lauro Flores (Editor)
This book celebrates the emergence of a potent force on the American literary scene: the coming of age of contemporary Hispanic writers. The Americas Review--the pioneering journal of Hispanic literary arts, which has nurtured the early careers of many now-famous authors--celebrates its 25th anniversary with this anthology of some of the best fiction and poetry from its pages. The collection is truly representative of the diverse regional and national backgrounds that have helped forge a creative community across the continent. The works presented here are divided into three parts, reflecting important chronological landmarks as well as a more subtle evolution of mature craftsmanship. "Nationhood Messengers" experimented with vernacular forms and helped to define the flourishing of cultural identity for Chicanos, Nuyoricans, and other major groups within the Latino community in the 1970s. "Memory Makers" moved to the forefront in the 1980s with polished works that have to varying degrees been embraced by the American cultural mainstream and enjoyed considerable commercial success. The voices of the "New Navigators of the Floating Borderlands" are just beginning to be heard, but they are already making contributions that will further transform the literary milieu.
ISBN: 0295977469
Publication Date: 1998
From Sugar to Revolution: Women's Visions of Haiti, Cuba, and the Dominican Republic by Myriam J. A. Chancy
Sovereignty. Sugar. Revolution. These are the three axes this book uses to link the works of contemporary women artists from Haiti--a country excluded in contemporary Latin American and Caribbean literary studies--the Dominican Republic, and Cuba. In From Sugar to Revolution: Women's Visions of Haiti, Cuba, and the Dominican Republic, Myriam Chancy aims to show that Haiti's exclusion is grounded in its historical role as a site of ontological defiance. Her premise is that writers Edwidge Danticat, Julia Alvarez, Zoé Valdés, Loida Maritza Pérez, Marilyn Bobes, Achy Obejas, Nancy Morejón, and visual artist Maria Magdalena Campos-Pons attempt to defy fears of "otherness" by assuming the role of "archaeologists of amnesia." They seek to elucidate women's variegated lives within the confining walls of their national identifications--identifications wholly defined as male. They reach beyond the confining limits of national borders to discuss gender, race, sexuality, and class in ways that render possible the linking of all three nations. Nations such as Haiti, the Dominican Republic, and Cuba are still locked in battles over self-determination, but, as Chancy demonstrates, women's gendered revisionings may open doors to less exclusionary imaginings of social and political realities for Caribbean people in general.
ISBN: 9781554584284
Publication Date: 2012
Hip Hop Speaks to Children: A Celebration of Poetry with a Beat by Nikki Giovanni; Alicia Vergel de Dios (Illustrator); Damian Ward (Illustrator)
Hip Hop Speaks to Children is a celebration of poetry with a beat. Like Poetry Speaks to Children, the classic book and CD that started it all, it's meant to be the beginning of a journey of discovery. Readers can immerse themselves in 51 selections from 42 poets and performers, and 30 performances on the audio CD, many recorded especially for this collection. Some tracks on the CD are performed by the artists who created them, others are unique interpretations by admiring poets and artists. Hear a musical interpretation of Sterling Brown's poem "Long Track Blues" and a youth performance of Elizabeth Swados's poem "Me" plus much more!
ISBN: 9781402210488
Publication Date: 2008
I Am Alfonso Jones by Tony Medina
Alfonso can't wait to play the role of Hamlet in his school's hip-hop rendition of the classic play. But as he is buying his first suit, an off-duty police officer misatkes a clothes hanger for a gun and shoots Alfoso. When Alfonso wakes up in the afterlife, he's on a ghost train guided by well-known victims of police shootings, who teach him what he needs to know about this subterranean spiritual world. Meanwhile, Alfonso's family and friends struggle with their grief and seek justice for Alfonso in the streets.
ISBN: 9780606403948
Publication Date: 2017
Keith Haring, Jean-Michel Basquiat: Crossing Lines by Dieter Buchhart
An exploration of the personal and artistic connections between two icons of twentieth-century art Keith Haring (1958-1990) and Jean-Michel Basquiat (1960-1988) changed the art world of the 1980s through their idiosyncratic imagery, radical ideas, and complex sociopolitical commentary. Each artist invented a distinct visual language, employing signs, symbols, and words to convey strong messages in unconventional ways, and each left an indelible legacy that remains a force in contemporary visual and popular culture. Offering fascinating new insights into the artists' work, Keith Haring | Jean-Michel Basquiat reveals the many intersections among Haring and Basquiat's lives, ideas, and practices. This lavishly illustrated volume brings together more than two hundred images--works created in public spaces, paintings, sculptures, objects, works on paper, photographs, and more. These rich visuals are accompanied by essays and interviews from renowned scholars, artists, and art critics, exploring the reach and range of Haring and Basquiat's influence. Keith Haring | Jean-Michel Basquiat provides a valuable look at two artistic peers and boundary breakers whose tragically short but prolific careers left their marks on the art world and beyond. Distributed for the National Gallery of Victoria in association with No More Rulers
ISBN: 9781925432725
Publication Date: 2019
Latinas and African American Women at Work: Race, Gender, and Economic Inequality by Irene Browne (Editor)
One of Choice magazine's Outstanding Academic Books of 1999 Accepted wisdom about the opportunities available to African American and Latina women in the U.S. labor market has changed dramatically. Although the 1970s saw these women earning almost as much as their white counterparts, in the 1980s their relative wages began falling behind, and the job prospects plummeted for those with little education and low skills. At the same time, African American women more often found themselves the sole support of their families. While much social science research has centered on the problems facing black male workers, Latinas and African American Women at Work offers a comprehensive investigation into the eroding progress of these women in the U.S. labor market. The prominent sociologists and economists featured in this volume describe how race and gender intersect to especially disadvantage black and Latina women. Their inquiries encompass three decades of change for women at all levels of the workforce, from those who spend time on the welfare rolls to middle class professionals. Among the many possible sources of increased disadvantage, they particularly examine the changing demands for skills, increasing numbers of immigrants in the job market, the precariousness of balancing work and childcare responsibilities, and employer discrimination. While racial inequity in hiring often results from educational differences between white and minority women, this cannot explain the discrimination faced by women with higher skills. Minority women therefore face a two-tiered hurdle based on race and gender. Although the picture for young African American women has grown bleaker overall, for Latina women, the story is more complex, with a range of economic outcomes among Cubans, Puerto Ricans, Mexicans, and Central and South Americans. Latinas and African American Women at Work reveals differences in how professional African American and white women view their position in the workforce, with black women perceiving more discrimination, for both race and gender, than whites. The volume concludes with essays that synthesize the evidence about racial and gender-based obstacles in the labor market. Given the current heated controversy over female and minority employment, as well as the recent sweeping changes to the national welfare system, the need for empirical data to inform the public debate about disadvantaged women is greater than ever before. The important findings in Latinas and African American Women at Work substantially advance our understanding of social inequality and the pervasive role of race, ethnicity and gender in the economic well-being of American women.
ISBN: 0871541475
Publication Date: 1999
The Oxford Anthology of African-American Poetry by Hilary Herbold (Editor); Arnold Rampersad (Editor)
For over two centuries, black poets have created verse that captures the sorrows, joys, and triumphs of the African-American experience. Reflecting their variety of visions and styles, The Oxford Anthology of African-American Poetry aims to offer nothing less than a definitive literary portrait of a people. Here are poems by writers as different as Paul Laurence Dunbar and W.E.B. Du Bois; Countee Cullen and Langston Hughes; Gwendolyn Brooks and Amiri Baraka; Rita Dove and Harryette Mullen; Yusef Komunyakaa and Nathaniel Mackey. Acclaimed as a biographer and editor, Arnold Rampersad groups these poems as meditations on key issues in black culture, including the idea of Africa; the South; slavery; protest and resistance; the black man, woman, and child; sexuality and love; music and religion; spirituality; death and transcendence. With their often starkly contrasting visions and styles, these poets illuminate some of the more controversial and intimate aspects of the black American experience. Poetry here is not only or mainly a vehicle of protest but also an exploration of the complex and tender subtleties of black culture. One section offers tributes to celebrated leaders such as Sojourner Truth and Malcolm X, but many more reflect the heroism compelled by everyday black life. The variety of poetic forms and language captures the brilliant essence of English as mastered by black Americans dedicated to the art of poetry. Loving and yet also honest and unsparing, The Oxford Anthology of African-American Poetry is for readers who treasure both poetry and the genius of black America.
ISBN: 0195125630
Publication Date: 2006
The Poet X; A Novel by Elizabeth Acevedo
Winner of the National Book Award for Young People's Literature, the Michael L. Printz Award, and the Pura Belpré Award! Fans of Jacqueline Woodson, Meg Medina, and Jason Reynolds will fall hard for this astonishing New York Times-bestselling novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth. Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking. But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers--especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about. With Mami's determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school's slam poetry club, she doesn't know how she could ever attend without her mami finding out. But she still can't stop thinking about performing her poems. Because in the face of a world that may not want to hear her, Xiomara refuses to be silent. "Crackles with energy and snaps with authenticity and voice." --Justina Ireland, author of Dread Nation "An incredibly potent debut." --Jason Reynolds, author of the National Book Award Finalist Ghost "Acevedo has amplified the voices of girls en el barrio who are equal parts goddess, saint, warrior, and hero." --Ibi Zoboi, author of American Street This young adult novel, a selection of the Schomburg Center's Black Liberation Reading List, is an excellent choice for accelerated tween readers in grades 6 to 8. Plus don't miss Elizabeth Acevedo's With the Fire on High and Clap When You Land!
ISBN: 9780062662811
Publication Date: 2020
Puerto Rico Strong: A Comics Anthology Supporting Puerto Rico Disaster Relief and Recovery by Hazel Newlevant
Puerto Rico Strong is a comics anthology that explores what it means to be Puerto Rican and the diversity that exists within that concept, from today's most exciting Puerto Rican comics creators. Despite being a US territory, Puerto Rico is often thought of as a foreign land, if it's even a thought in the mind of the average American at all. Its people exist in all corners of America; some of them have parents who immigrated from the home island, others are a part of families that have been on the mainland for generations. Then there are those who have come to the states in search of a dream but struggle to integrate into an unfamiliar culture, while there are those who have lived in the United States all of their lives but still have the same struggle because of the color of their skin or their sexual identity. These stories follow individuals from diverse walks of life but are all part of the culture that is Puerto Rico.Puerto Rico Strong features art and writing by Rosa Colon, Vita Ayala, Naomi Franquiz, Javier Cruz Winnik, Sabrina Cintron, Ronnie Garcia, Fabian Nicieza, Joamette Gil, and many more! All profits will go to towards disaster relief and recovery programs to support Puerto Rico.
ISBN: 9781941302903
Publication Date: 2018
Race, Sex, and Gender: In Contemporary Art by Edward Lucie-Smith
One of the most significant developments in the art world of the 1970s, 1980s, and 1990s has been the rise to prominence of art made by minority cultures. Race, Sex, and Gender examines the controversial challenges these groups present to today's artists and critics. Works by African-Americans, feminists, homosexuals, and Latino-Hispanics - once considered marginal - have come to transform contemporary art. As this so-called minority art has moved into a more dominant position, museums - once official symbols of culture - have formed a more secure alliance with the avant-garde. The result is that minority art has become, in effect, our most major concern. In this provocative volume, art historian Edward Lucie-Smith seeks to determine how these different groups came to acclaim, and how they have revolutionized the kind of art shown in museums and galleries. Cindy Sherman, Robert Mapplethorpe, Jean-Michel Basquiat, Nancy Spero, Hannah Wilke, Larry Fuente, Cheri Samba, and Martin Puryear are among those artists whose work is pictured and discussed as Lucie-Smith probes issues of racial identity, sexual orientation, and gender politics. Statements from the artists as well as from theoreticians and critics are given, offering additional commentaries on these crucial new topics. Organized by profusely illustrated chapters devoted to specific minority groups, Race, Sex, and Gender is a timely introduction to the issues that are shaping contemporary art.
ISBN: 0810937670
Publication Date: 1994
Racial Innocence: Unmasking Latino Anti-Black Bias and the Struggle for Equality by Tanya Katerí Hernández
"Profound and revelatory, Racial Innocencetackles head-on the insidious grip of white supremacy on our communities and how we all might free ourselves from its predation. Tanya Kateri Hernandez is fearless and brilliant . . . What fire!"-Junot Diaz The first comprehensive book about anti-Black bias in the Latino community that unpacks the misconception that Latinos are "exempt" from racism due to their ethnicity and multicultural background Racial Innocencewill challenge what you thought about racism and bias and demonstrate that it's possible for a historically marginalized group to experience discrimination and also be discriminatory. Racism is deeply complex, and law professor and comparative race relations expert Tanya Kateri Hernandez exposes "the Latino racial innocence cloak" that often veils Latino complicity in racism. As Latinos are the second-largest ethnic group in the US, this revelation is critical to dismantling systemic racism. Basing her work on interviews, discrimination case files, and civil rights law, Hernandez reveals Latino anti-Black bias in the workplace, the housing market, schools, places of recreation, the criminal justice system, and Latino families. By focusing on racism perpetrated by communities outside those of White non-Latino people, Racial Innocencebrings to light the many Afro-Latino and African American victims of anti-Blackness at the hands of other people of color. Through exploring the interwoven fabric of discrimination and examining the cause of these issues, we can begin to move toward a more egalitarian society.
ISBN: 9780807020135
Publication Date: 2022
Romiette and Julio by McGraw Hill (Created by)
Romiette, an African-American girl, and Julio, a Hispanic boy, discover that they attend the same high school after falling in love on the Internet, but are harassed by a gang whose members object to their interracial dating.
ISBN: 0689842090
Publication Date: 2008
Spirit & Flame: An Anthology of Contemporary African-American Poetry by Keith Gilyard (Editor)
An outline to the African American poetic conversation of the 1990s, Spirit and Flame is the first intergenerational volume of African American poetry with an expressly contemporary focus since the numerous and influential black poetry anthologies of the 1960s and 1970s. A collection of numerous forms (jazz stylings to haiku) and topics (middle passage to 0. J.), this present gathering of fifty-three significant poets, among them Amiri Baraka, Rita Dove, Nikky Finney, Ruth Forman, Haki Madhubuti, Tony Medina, E. Ethelbert Miller, Sonia Sanchez, Quincy Troupe, and Patricia Smith, illustrates both the vibrancy of the African American experience and the talented and current poetic response that is part and parcel of it.
ISBN: 0815627300
Publication Date: 1997
Spirited Diasporas: Personal Narratives and Global Futures of Afro-Atlantic Religions by Martin Tsang (Editor)
First-person accounts that show the expanding demographics of African-descended religions. In this focused portrayal of global dispersal and spiritual sojourning, Martin Tsang draws together first-person accounts of the evolving Afro-Atlantic religious landscape. Spirited Diasporas offers a glimpse into the frequently misunderstood religions of Afro-Cuban Lukumí, Haitian Vodou, and Brazilian Candomblé, adding to the growing research on the transnational yet personal nature of African diasporic religions. In these accounts, practitioners from many origins illustrate the workand commitment they undertook to learn and become initiated in these traditions. They reveal in the process a variety of experiences that are not often documented. Their perspectives also show the expanding contemporary demographics of African-descended religions, many of whose members identify as LGBTQ or are part of other minoritized populations, and they counter inaccurate and often racialized portrayals of these religions as being anti-modern and geographically limited. Through the voices of the professionals, scholars, and activists gathered here, readers will appreciate the purpose and belonging to be found in the far-reaching communities of these Latin American and Caribbean spiritualities. As the seekers in these stories discover and come home to their new religious families, Spirited Diasporas displays the relevance and generative power of these traditions.
ISBN: 9781683403722
Publication Date: 2023
Splat Boom Pow!: The Influence of Cartoons in Contemporary Art by Valerie Cassel Oliver (Editor); Roger Sabin (Text by); Bernard Weldt (Text by); Marti Mayo (Text by)
Splat--ouch--Boom--ouch--Pow That hurts. Presenting work by 35 nationally and internationally recognized contemporary artists who have incorporated the imagery, technique, or style of the comics in their work, Splat Boom Pow makes evident the shift from traditional literary narratives to a visual language of myth as seen in comic strips over the last 40 years. Taking an in-depth look at the current phenomenon of cartoon-referencing work, its connection to the pop art movement of the 1960s, and the social and cultural factors that have shaped our understanding of the comics as a form of popular communication, Splat Boom Pow includes work by three generations of artists, among them Laylah Ali, Michael Ray Charles, Roy Lichtenstein, Takashi Murakami, Elizabeth Murray, Chris Ofili, Sigmar Polke, Peter Saul, Kenny Scharf, Jim Shaw and Andy Warhol.
ISBN: 0936080787
Publication Date: 2003
Thirteen Ways of Looking at Latino Art by Ilan Stavans; Jorge J. E. Gracia
The essayist and cultural commentator Ilan Stavans and the analytic philosopher Jorge J. E. Gracia share long-standing interests in the intersection of art and ideas. Here they take thirteen pieces of Latino art, each reproduced in color, as occasions for thematic discussions. Whether the work at the center of a particular conversation is a triptych created by the brothers Einar and Jamex de la Torre, Andres Serrano's controversial Piss Christ, a mural by the graffiti artist BEAR_TCK, or Above All Things, a photograph by María Magdalena Campos-Pons, Stavans and Gracia's exchanges inevitably open out to literature, history, ethics, politics, religion, and visual culture more broadly. Autobiographical details pepper Stavans and Gracia's conversations, as one or the other tells what he finds meaningful in a given work. Sparkling with insight, their exchanges allow the reader to eavesdrop on two celebrated intellectuals--worldly, erudite, and unafraid to disagree--as they reflect on the pleasures of seeing.
ISBN: 9780822356271
Publication Date: 2014
Twentieth-Century Latin American Poetry: A Bilingual Anthology by Stephen Tapscott (Editor)
Large anthology includes work by 58 poets. Extensive, but general, introduction. Poets arranged chronologically from Jos e Mart i to Marjorie Agos in. Volume includes few surprises and relatively few women. Bilingual format. Many translators; great fluctuation in quality. For detailed discussion of translations, see Charles Tomlinson in Times Lite"
ISBN: 0292781385
Publication Date: 1996
Voices of Resistance: Testimonies of Cuban and Chilean Women by Judy Maloof (Editor, Translator)
Latin American women were among those who led the suffrage movements of the nineteenth and early twentieth centuries, and their opposition to military dictatorships has galvanized more recent political movements throughout the region. But because of the continuous attempts to silence them, activists have struggled to make their voices heard. At the heart of Voices of Resistance are the testimonies of thirteen women who fought for human rights and social justice in their communities. Some played significant roles in the Cuban Revolution of 1959, while others organized grassroots resistance to the seventeen-year Pinochet dictatorship in Chile. Though the women share many objectives, they are a diverse group, ranging in age from thirty to eighty and coming from varied ethnic and socioeconomic backgrounds. The Cuban and Chilean women Judy Maloof interviewed use the narrative form to reinvent themselves. Maloof includes narratives from a poet, a tobacco worker, a political prisoner, an artist, and a social worker to demonstrate the different faces of their struggle. In the process, these women were able to begin to put together their fragmented lives. Speaking out is both a means for personal liberation and a political act of protest against authoritarian regimes. The bond that these women have is not simply that they have suffered; they share a commitment to resisting violence and confronting inequities at great personal risk.
ISBN: 0813120799
Publication Date: 1999
When Trying to Return Home: Stories by Jennifer Maritza McCauley
Reading the West Book Awards Nominee Longlisted for the Aspen Words Literary Prize A New York Times Book Review Editors' Choice A dazzling debut collection spanning a century of Black American and Afro-Latino life in Puerto Rico, Pittsburgh, Louisiana, Miami, and beyond--and an evocative meditation on belonging, the meaning of home, and how we secure freedom on our own terms Profoundly moving and powerful, the stories in When Trying to Return Home dig deeply into the question of belonging. A young woman is torn between overwhelming love for her mother and the need to break free from her damaging influence during a desperate and disastrous attempt to rescue her brother from foster care. A man, his wife, and his mistress each confront the borders separating love and hate, obligation and longing, on the eve of a flight to San Juan. A college student grapples with the space between chivalry and machismo in a tense encounter involving a nun. And in 1930s Louisiana, a woman attempting to find a place to call her own chances upon an old friend at a bar and must reckon with her troubled past. Forming a web of desires and consequences that span generations, McCauley's Black American and Afro-Puerto Rican characters remind us that these voices have always been here, occupying the very center of American life--even if we haven't always been willing to listen.
ISBN: 9781640095687
Publication Date: 2023
With Eyes and Soul: Images of Cuba by Pamela Carmell (Translator); Nancy Morejon; Milton Rogovin (Photographer)
Milton Rogovin traveled to Cuba twice in the mid-1980s to photograph those he calls "the forgotten ones." He encountered renowned poet Nancy Morejon, who, upon seeing his images, decided to write new poems and select poems from her work that resonated with the photographs. The result is a spectacular collaboration between poet and artist that creates a multi-dimensional portrait of the landscape and people of a place that has been all but invisible to us since the embargo of Cubamore than 40 years ago. Translators Pamela Carmell and David Frye retain the voice and feel of the original poems. Nancy Morejon is one of Cuba's most important contemporary poets. Milton Rogovin is a world-renowned documentary photographer with works in many major collections.
ISBN: 1893996255
Publication Date: 2004
¡Manteca!: An Anthology of Afro-Latin@ Poets by Melissa Castillo-Garsow
"We defy translation," Sandra María Esteves writes. "Nameless/we are a whole culture/once removed." She is half Dominican, half Puerto Rican, with indigenous and African blood, born in the Bronx. Like so many of the contributors, she is a blend of cultures, histories and languages. Containing the work of more than 40 poets--equally divided between men and women--who self-identify as Afro-Latino, ¡Manteca! is the first poetry anthology to highlight writings by Latinos of African descent. The themes covered are as diverse as the authors themselves. Many pieces rail against a system that institutionalizes poverty and racism. Others remember parents and grandparents who immigrated to the United States in search of a better life, only to learn that the American Dream is a nightmare for someone with dark skin and nappy hair. But in spite of the darkness, faith remains. Anthony Morales' grandmother, like so many others, was "hardwired to hold on to hope." There are love poems to family and lovers. And music--salsa, merengue, jazz--permeates this collection.Editor and scholar Melissa Castillo-Garsow writes in her introduction that "the experiences and poetic expression of Afro-Latinidad were so diverse" that she could not begin to categorize it. Some write in English, others in Spanish. They are Puerto Rican, Dominican and almost every combination conceivable, including Afro-Mexican. Containing the work of well-known writers such as Pedro Pietri, Miguel Piñero and E. Ethelbert Miller, less well-known ones are ready to be discovered in these pages.
ISBN: 9781558858428
Publication Date: 2017
Afro-Cuban Voices: On Race and Identity in Contemporary Cuba by
From the forewords: "At a time when Cuba is undergoing immense economic and social changes, race becomes a kind of cultural litmus test for the national identity. . . . This anthology illustrates fully that it is possible to be both revolutionary and black in Cuba."--Manning Marable, Columbia University "The authors of Afro-Cuban Voices, also key actors in the new, unfolding dialogue about race in Cuba, make a seminal contribution through a forthright critique of 'racial blind spots' in official history and present-day racial discrimination."--James Early, director of cultural studies and communication, Smithsonian Institution From the series editor: "A courageous attempt to deal head-on with the issue of race in Cuba today. . . . Pérez Sarduy and Stubbs [seek to] put a human face on this debate, and do so well. The book will be received with relief by some and with frustration by others. Controversial it will undoubtedly be, since--as with most things Cuban--strong emotions are a given assumption. It will be an admirable beginning for the series and, it is hoped, will spark a much-needed debate in the United States on many aspects of the 'Cuban question.' It is about time."--John M. Kirk Based on the vivid firsthand testimony of prominent Afro-Cubans who live in Cuba, this book of interviews looks at ways that race affects daily life on the island. While celebrating their racial and national identity, the collected voices express an urgent need to end the silences and distortions of history in both pre- and postrevolutionary Cuba. The 14 people interviewed--of different generations and from different geographic areas of Cuba--come from the arts, the media, industry, academia, and medicine. They include a doctor who calls for joint U.S.-Cuban studies on high blood pressure and a craftsman who makes the batá drums used in Yoruba worship ceremonies. All responded to four controversial questions: What is it like to be black in Cuba? How has the revolution made a difference? To what extent is that difference true today? What can be done? Exposing the contradictions of both racial stereotyping and cultural assimilation, their eloquent answers make the case that the issue of race in Cuba, no matter how hard to define, will not be ignored. A volume in the series Contemporary Cuba, edited by John M. Kirk
Afro-Latinos in the U.S. Economy by
Afro-Latinos in the U.S. Economy outlines the current position and status of Afro-Latinxs in the economy of the United States. Very little research has thus far been disseminated in the field of economics on the contributions of Afro-Latinxs regarding income and wealth, labor market status, occupational mobility, and educational attainment. On the other hand, cultural studies, literary criticism, and social science fields have produced more research on Afro-Latinxs; the discipline of economics is, thus, significantly behind the curve in exploring the economic dimensions of this group. While the Afro-Latinx community constitutes a comparatively small segment of the U.S. population, and is often viewed as the nexus between two of the country's largest minority groups--African Americans and Latinxs, who comprise 13 percent and 17 percent, respectively, of the U.S. population--Holder and Aja outline how the group's unique economic position is different than non-black Latinxs. Despite possessing higher levels of education relative to the Latinx community as a whole, U.S. Afro-Latinxs do not experience expected returns in income and earnings, underscoring the role anti-Blackness plays in everyday life regardless of ancestral origin. The goal of this book is to provide a foundation in the economic dimensions of Afro-Latinxs in the U.S. which can be used to both complement and supplement research conducted on this group in other major disciplines. "
Afro-Latinx Digital Connections by
This volume presents examples of how digital technologies are being used by people of African descent in South America and the Caribbean, a topic that has been overlooked within the field of digital humanities. These case studies show that in the last few decades, Black Latinx communities have been making themselves visible and asserting long-standing claims and rights through digital tools and platforms, which have been essential for enacting discussions and creating new connections between diverse groups. Afro-Latinx Digital Connections includes both research articles and interviews with practitioners who are working to create opportunities for marginalized communities. Projects discussed in this volume range from an Afrodescendant digital archive in Argentina, blog networks in Cuba, an NGO dedicated to democratizing technology in Brazilian favelas, and the recruitment of digital media to fight racism in Peru. Contributors demonstrate that these tools need not be state of the art to be effective and that they are often most useful when employed to sustain a resilience that is deep and historically grounded. Digital connections are shown here as a means to achieve social justice and to create complex self-representations that challenge racist images of Afrodescendant peoples and monolithic conceptions of humanity. This volume expands the scope of digital humanities and challenges views of the field as a predominantly white discipline. Contributors: Sandra AbdAllah-Álvarez | Adebayo Adegbembo | Maya Anderson-González | Eduard Arriaga | Silvana Bahia | Yvonne Captain | Monica Carrillo | Yancy Castillo | Alí Majul | Maria Cecilia Martino | Andrés Villar A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L?Hoeste and Juan Carlos Rodríguez
AfroLatinas and LatiNegras: Culture, Identity, and Struggle from an Intersectional Perspective by
AfroLatinas as a subject of scholarship are woefully underrepresented, and this edited volume, AfroLatinas and LatiNegras: Culture, Identity, and Struggle from an Intersectional Perspective, offers an important and timely intervention. The consistent attention to AfroLatinas' agency across all the chapters is empowering and attentive to the difficult circumstances of asserting that agency, and to the tremendous breadth of what agency can look like. The authors argue for the analytical power of the concept of Intersectionality while considering the hegemonic pressures on AfroLatinidad and the essentializing moves that an intersectional approach enables: evading, overthrowing, and resisting systems of power. Through the study of multiple cultural expressions of Blackness, such as photography, colonial inquisition records, dance, music, fiction, non-fiction, poetic memoir, and religious expression, and throughout different region of the Americas, the chapter contributors of this book consider the relationship that social and historical processes, such as sovereignty and colonialism, have on narrative and cultural production. Rosita Scerbo, Concetta Bondi, and the contributors acknowledge that racial and gender equity cannot exist without Intersectionality, and the inclusion of activist voices broadens this volume's reach and links theory to praxis.
The Beacon Best of 1999: Creative Writing by Women and Men of All Colors by
Announcing the alternative literary annual. Less than one third of the writing in annuals such as the Pushcart prize & Best American Short Stories is by people of color & women, yet some of the freshest & most innovative voices are those of women & men not usually heard. The book rewrites the ration by redefining the center. With the best poetry, short fiction, & creative nonfiction published in English over the past year, from some of our greatest writers as well as rising stars, it is the alternative literary annual.
Black Bodies, Black Rights: The Politics of Quilombolismo in Contemporary Brazil by
Under a provision in the Brazilian constitution, rural black communities identified as the modern descendants of quilombos--runaway slave communities--are promised land rights as a form of reparations for the historic exclusion of blacks from land ownership. The quilombo provision has been hailed as a success for black rights; however, rights for quilombolas are highly controversial and, in many cases, have led to violent land conflicts. Although thousands of rural black communities have been legally recognized, only a handful have received the rights they were promised. Conflict over quilombola rights is widespread and carries important consequences for race relations and political representations of blackness in twenty-first century Brazil. Drawing on a year of field research in a quilombola community, Elizabeth Farfán-Santos explores how quilombo recognition has significantly affected the everyday lives of those who experience the often-complicated political process. Questions of identity, race, and entitlement play out against a community's struggle to prove its historical authenticity--and to gain the land and rights they need to survive. This work not only demonstrates the lived experience of a new, particular form of blackness in Brazil, but also shows how blackness is being mobilized and reimagined to gain social rights and political recognition. Black Bodies, Black Rights thus represents an important contribution to the rapidly growing interdisciplinary field of Afro-Latino studies.
The Cinema of Sara Gómez: Reframing Revolution by
Throughout the 1960s until her untimely death in 1974, Afro-Cuban filmmaker Sara Gómez engaged directly and courageously with the social, political, economic, and cultural transformations promised by the Cuban Revolution. Gómez directed numerous documentary films in 10 prolific years. She also made De cierta manera (One way or another), her only feature-length film. Her films navigate complex experiences of social class, race, and gender by reframing revolutionary citizenship, cultural memory, and political value. Not only have her inventive strategies become foundational to new Cuban cinema and feminist film culture, but they also continue to inspire media artists today who deal with issues of identity and difference. The Cinema of Sara Gómez assembles history, criticism, biography, methodology, and theory of Gómez's work in scholarly writing; interviews with friends and collaborators; the film script of De cierta manera; and a detailed and complete filmography. Featuring striking images, this anthology reorients how we tell Cuban cinema history and how we think about the intersections of race, gender, and revolution. By addressing Gómez's entire body of work, The Cinema of Sara Gómez unpacks her complex life and gives weight to her groundbreaking cinema.
Creole Religions of the Caribbean: An Introduction from Vodou and Santeria to Obeah and Espiritismo by
A comprehensive introduction to the syncretic religions developed in the Caribbean region Creolization--the coming together of diverse beliefs and practices to form new beliefs and practices--is one of the most significant phenomena in Caribbean religious history. Brought together in the crucible of the sugar plantation, Caribbean peoples drew on the variants of Christianity brought by European colonizers, as well as on African religious and healing traditions and the remnants of Amerindian practices, to fashion new systems of belief. Creole Religions of the Caribbean offers a comprehensive introduction to the syncretic religions that have developed in the region. From Vodou, Santería, Regla de Palo, the Abakuá Secret Society, and Obeah to Quimbois and Espiritismo, the volume traces the historical-cultural origins of the major Creole religions, as well as the newer traditions such as Pocomania and Rastafarianism. This second edition updates the scholarship on the religions themselves and also expands the regional considerations of the Diaspora to the U. S. Latino community who are influenced by Creole spiritual practices. Fernández Olmos and Paravisini-Gebert also take into account the increased significance of material culture--art, music, literature--and healing practices influenced by Creole religions.
Finding Afro-Mexico: Race and Nation after the Revolution by
In 2015, the Mexican state counted how many of its citizens identified as Afro-Mexican for the first time since independence. Finding Afro-Mexico reveals the transnational interdisciplinary histories that led to this celebrated reformulation of Mexican national identity. It traces the Mexican, African American, and Cuban writers, poets, anthropologists, artists, composers, historians, and archaeologists who integrated Mexican history, culture, and society into the African Diaspora after the Revolution of 1910. Theodore W. Cohen persuasively shows how these intellectuals rejected the nineteenth-century racial paradigms that heralded black disappearance when they made blackness visible first in Mexican culture and then in post-revolutionary society. Drawing from more than twenty different archives across the Americas, this cultural and intellectual history of black visibility, invisibility, and community-formation questions the racial, cultural, and political dimensions of Mexican history and Afro-diasporic thought.
The Floating Borderlands: Twenty-Five Years of U.S. Hispanic Literature by
This book celebrates the emergence of a potent force on the American literary scene: the coming of age of contemporary Hispanic writers. The Americas Review--the pioneering journal of Hispanic literary arts, which has nurtured the early careers of many now-famous authors--celebrates its 25th anniversary with this anthology of some of the best fiction and poetry from its pages. The collection is truly representative of the diverse regional and national backgrounds that have helped forge a creative community across the continent. The works presented here are divided into three parts, reflecting important chronological landmarks as well as a more subtle evolution of mature craftsmanship. "Nationhood Messengers" experimented with vernacular forms and helped to define the flourishing of cultural identity for Chicanos, Nuyoricans, and other major groups within the Latino community in the 1970s. "Memory Makers" moved to the forefront in the 1980s with polished works that have to varying degrees been embraced by the American cultural mainstream and enjoyed considerable commercial success. The voices of the "New Navigators of the Floating Borderlands" are just beginning to be heard, but they are already making contributions that will further transform the literary milieu.
From Sugar to Revolution: Women's Visions of Haiti, Cuba, and the Dominican Republic by
Sovereignty. Sugar. Revolution. These are the three axes this book uses to link the works of contemporary women artists from Haiti--a country excluded in contemporary Latin American and Caribbean literary studies--the Dominican Republic, and Cuba. In From Sugar to Revolution: Women's Visions of Haiti, Cuba, and the Dominican Republic, Myriam Chancy aims to show that Haiti's exclusion is grounded in its historical role as a site of ontological defiance. Her premise is that writers Edwidge Danticat, Julia Alvarez, Zoé Valdés, Loida Maritza Pérez, Marilyn Bobes, Achy Obejas, Nancy Morejón, and visual artist Maria Magdalena Campos-Pons attempt to defy fears of "otherness" by assuming the role of "archaeologists of amnesia." They seek to elucidate women's variegated lives within the confining walls of their national identifications--identifications wholly defined as male. They reach beyond the confining limits of national borders to discuss gender, race, sexuality, and class in ways that render possible the linking of all three nations. Nations such as Haiti, the Dominican Republic, and Cuba are still locked in battles over self-determination, but, as Chancy demonstrates, women's gendered revisionings may open doors to less exclusionary imaginings of social and political realities for Caribbean people in general.
Hip Hop Speaks to Children: A Celebration of Poetry with a Beat by
Hip Hop Speaks to Children is a celebration of poetry with a beat. Like Poetry Speaks to Children, the classic book and CD that started it all, it's meant to be the beginning of a journey of discovery. Readers can immerse themselves in 51 selections from 42 poets and performers, and 30 performances on the audio CD, many recorded especially for this collection. Some tracks on the CD are performed by the artists who created them, others are unique interpretations by admiring poets and artists. Hear a musical interpretation of Sterling Brown's poem "Long Track Blues" and a youth performance of Elizabeth Swados's poem "Me" plus much more!
I Am Alfonso Jones by
Alfonso can't wait to play the role of Hamlet in his school's hip-hop rendition of the classic play. But as he is buying his first suit, an off-duty police officer misatkes a clothes hanger for a gun and shoots Alfoso. When Alfonso wakes up in the afterlife, he's on a ghost train guided by well-known victims of police shootings, who teach him what he needs to know about this subterranean spiritual world. Meanwhile, Alfonso's family and friends struggle with their grief and seek justice for Alfonso in the streets.
Keith Haring, Jean-Michel Basquiat: Crossing Lines by
An exploration of the personal and artistic connections between two icons of twentieth-century art Keith Haring (1958-1990) and Jean-Michel Basquiat (1960-1988) changed the art world of the 1980s through their idiosyncratic imagery, radical ideas, and complex sociopolitical commentary. Each artist invented a distinct visual language, employing signs, symbols, and words to convey strong messages in unconventional ways, and each left an indelible legacy that remains a force in contemporary visual and popular culture. Offering fascinating new insights into the artists' work, Keith Haring | Jean-Michel Basquiat reveals the many intersections among Haring and Basquiat's lives, ideas, and practices. This lavishly illustrated volume brings together more than two hundred images--works created in public spaces, paintings, sculptures, objects, works on paper, photographs, and more. These rich visuals are accompanied by essays and interviews from renowned scholars, artists, and art critics, exploring the reach and range of Haring and Basquiat's influence. Keith Haring | Jean-Michel Basquiat provides a valuable look at two artistic peers and boundary breakers whose tragically short but prolific careers left their marks on the art world and beyond. Distributed for the National Gallery of Victoria in association with No More Rulers
Latinas and African American Women at Work: Race, Gender, and Economic Inequality by
One of Choice magazine's Outstanding Academic Books of 1999 Accepted wisdom about the opportunities available to African American and Latina women in the U.S. labor market has changed dramatically. Although the 1970s saw these women earning almost as much as their white counterparts, in the 1980s their relative wages began falling behind, and the job prospects plummeted for those with little education and low skills. At the same time, African American women more often found themselves the sole support of their families. While much social science research has centered on the problems facing black male workers, Latinas and African American Women at Work offers a comprehensive investigation into the eroding progress of these women in the U.S. labor market. The prominent sociologists and economists featured in this volume describe how race and gender intersect to especially disadvantage black and Latina women. Their inquiries encompass three decades of change for women at all levels of the workforce, from those who spend time on the welfare rolls to middle class professionals. Among the many possible sources of increased disadvantage, they particularly examine the changing demands for skills, increasing numbers of immigrants in the job market, the precariousness of balancing work and childcare responsibilities, and employer discrimination. While racial inequity in hiring often results from educational differences between white and minority women, this cannot explain the discrimination faced by women with higher skills. Minority women therefore face a two-tiered hurdle based on race and gender. Although the picture for young African American women has grown bleaker overall, for Latina women, the story is more complex, with a range of economic outcomes among Cubans, Puerto Ricans, Mexicans, and Central and South Americans. Latinas and African American Women at Work reveals differences in how professional African American and white women view their position in the workforce, with black women perceiving more discrimination, for both race and gender, than whites. The volume concludes with essays that synthesize the evidence about racial and gender-based obstacles in the labor market. Given the current heated controversy over female and minority employment, as well as the recent sweeping changes to the national welfare system, the need for empirical data to inform the public debate about disadvantaged women is greater than ever before. The important findings in Latinas and African American Women at Work substantially advance our understanding of social inequality and the pervasive role of race, ethnicity and gender in the economic well-being of American women.
The Oxford Anthology of African-American Poetry by
For over two centuries, black poets have created verse that captures the sorrows, joys, and triumphs of the African-American experience. Reflecting their variety of visions and styles, The Oxford Anthology of African-American Poetry aims to offer nothing less than a definitive literary portrait of a people. Here are poems by writers as different as Paul Laurence Dunbar and W.E.B. Du Bois; Countee Cullen and Langston Hughes; Gwendolyn Brooks and Amiri Baraka; Rita Dove and Harryette Mullen; Yusef Komunyakaa and Nathaniel Mackey. Acclaimed as a biographer and editor, Arnold Rampersad groups these poems as meditations on key issues in black culture, including the idea of Africa; the South; slavery; protest and resistance; the black man, woman, and child; sexuality and love; music and religion; spirituality; death and transcendence. With their often starkly contrasting visions and styles, these poets illuminate some of the more controversial and intimate aspects of the black American experience. Poetry here is not only or mainly a vehicle of protest but also an exploration of the complex and tender subtleties of black culture. One section offers tributes to celebrated leaders such as Sojourner Truth and Malcolm X, but many more reflect the heroism compelled by everyday black life. The variety of poetic forms and language captures the brilliant essence of English as mastered by black Americans dedicated to the art of poetry. Loving and yet also honest and unsparing, The Oxford Anthology of African-American Poetry is for readers who treasure both poetry and the genius of black America.
The Poet X; A Novel by
Winner of the National Book Award for Young People's Literature, the Michael L. Printz Award, and the Pura Belpré Award! Fans of Jacqueline Woodson, Meg Medina, and Jason Reynolds will fall hard for this astonishing New York Times-bestselling novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth. Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking. But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers--especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about. With Mami's determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school's slam poetry club, she doesn't know how she could ever attend without her mami finding out. But she still can't stop thinking about performing her poems. Because in the face of a world that may not want to hear her, Xiomara refuses to be silent. "Crackles with energy and snaps with authenticity and voice." --Justina Ireland, author of Dread Nation "An incredibly potent debut." --Jason Reynolds, author of the National Book Award Finalist Ghost "Acevedo has amplified the voices of girls en el barrio who are equal parts goddess, saint, warrior, and hero." --Ibi Zoboi, author of American Street This young adult novel, a selection of the Schomburg Center's Black Liberation Reading List, is an excellent choice for accelerated tween readers in grades 6 to 8. Plus don't miss Elizabeth Acevedo's With the Fire on High and Clap When You Land!
Puerto Rico Strong: A Comics Anthology Supporting Puerto Rico Disaster Relief and Recovery by
Puerto Rico Strong is a comics anthology that explores what it means to be Puerto Rican and the diversity that exists within that concept, from today's most exciting Puerto Rican comics creators. Despite being a US territory, Puerto Rico is often thought of as a foreign land, if it's even a thought in the mind of the average American at all. Its people exist in all corners of America; some of them have parents who immigrated from the home island, others are a part of families that have been on the mainland for generations. Then there are those who have come to the states in search of a dream but struggle to integrate into an unfamiliar culture, while there are those who have lived in the United States all of their lives but still have the same struggle because of the color of their skin or their sexual identity. These stories follow individuals from diverse walks of life but are all part of the culture that is Puerto Rico.Puerto Rico Strong features art and writing by Rosa Colon, Vita Ayala, Naomi Franquiz, Javier Cruz Winnik, Sabrina Cintron, Ronnie Garcia, Fabian Nicieza, Joamette Gil, and many more! All profits will go to towards disaster relief and recovery programs to support Puerto Rico.
Race, Sex, and Gender: In Contemporary Art by
One of the most significant developments in the art world of the 1970s, 1980s, and 1990s has been the rise to prominence of art made by minority cultures. Race, Sex, and Gender examines the controversial challenges these groups present to today's artists and critics. Works by African-Americans, feminists, homosexuals, and Latino-Hispanics - once considered marginal - have come to transform contemporary art. As this so-called minority art has moved into a more dominant position, museums - once official symbols of culture - have formed a more secure alliance with the avant-garde. The result is that minority art has become, in effect, our most major concern. In this provocative volume, art historian Edward Lucie-Smith seeks to determine how these different groups came to acclaim, and how they have revolutionized the kind of art shown in museums and galleries. Cindy Sherman, Robert Mapplethorpe, Jean-Michel Basquiat, Nancy Spero, Hannah Wilke, Larry Fuente, Cheri Samba, and Martin Puryear are among those artists whose work is pictured and discussed as Lucie-Smith probes issues of racial identity, sexual orientation, and gender politics. Statements from the artists as well as from theoreticians and critics are given, offering additional commentaries on these crucial new topics. Organized by profusely illustrated chapters devoted to specific minority groups, Race, Sex, and Gender is a timely introduction to the issues that are shaping contemporary art.
Racial Innocence: Unmasking Latino Anti-Black Bias and the Struggle for Equality by
"Profound and revelatory, Racial Innocencetackles head-on the insidious grip of white supremacy on our communities and how we all might free ourselves from its predation. Tanya Kateri Hernandez is fearless and brilliant . . . What fire!"-Junot Diaz The first comprehensive book about anti-Black bias in the Latino community that unpacks the misconception that Latinos are "exempt" from racism due to their ethnicity and multicultural background Racial Innocencewill challenge what you thought about racism and bias and demonstrate that it's possible for a historically marginalized group to experience discrimination and also be discriminatory. Racism is deeply complex, and law professor and comparative race relations expert Tanya Kateri Hernandez exposes "the Latino racial innocence cloak" that often veils Latino complicity in racism. As Latinos are the second-largest ethnic group in the US, this revelation is critical to dismantling systemic racism. Basing her work on interviews, discrimination case files, and civil rights law, Hernandez reveals Latino anti-Black bias in the workplace, the housing market, schools, places of recreation, the criminal justice system, and Latino families. By focusing on racism perpetrated by communities outside those of White non-Latino people, Racial Innocencebrings to light the many Afro-Latino and African American victims of anti-Blackness at the hands of other people of color. Through exploring the interwoven fabric of discrimination and examining the cause of these issues, we can begin to move toward a more egalitarian society.
Romiette and Julio by
Romiette, an African-American girl, and Julio, a Hispanic boy, discover that they attend the same high school after falling in love on the Internet, but are harassed by a gang whose members object to their interracial dating.
Santeria Aesthetics in Contemporary Latin American Art by
Gathers texts exploring the relationship between Santeraia and esthetics. Essays by artists, scholars, and religious leaders are dedicated mostly to Cuba, with one essay on Brazil and others on various Caribbean artists. Interest in the subject, currently a frequent theme in specialized art publica
Spirit & Flame: An Anthology of Contemporary African-American Poetry by
An outline to the African American poetic conversation of the 1990s, Spirit and Flame is the first intergenerational volume of African American poetry with an expressly contemporary focus since the numerous and influential black poetry anthologies of the 1960s and 1970s. A collection of numerous forms (jazz stylings to haiku) and topics (middle passage to 0. J.), this present gathering of fifty-three significant poets, among them Amiri Baraka, Rita Dove, Nikky Finney, Ruth Forman, Haki Madhubuti, Tony Medina, E. Ethelbert Miller, Sonia Sanchez, Quincy Troupe, and Patricia Smith, illustrates both the vibrancy of the African American experience and the talented and current poetic response that is part and parcel of it.
Spirited Diasporas: Personal Narratives and Global Futures of Afro-Atlantic Religions by
First-person accounts that show the expanding demographics of African-descended religions. In this focused portrayal of global dispersal and spiritual sojourning, Martin Tsang draws together first-person accounts of the evolving Afro-Atlantic religious landscape. Spirited Diasporas offers a glimpse into the frequently misunderstood religions of Afro-Cuban Lukumí, Haitian Vodou, and Brazilian Candomblé, adding to the growing research on the transnational yet personal nature of African diasporic religions. In these accounts, practitioners from many origins illustrate the workand commitment they undertook to learn and become initiated in these traditions. They reveal in the process a variety of experiences that are not often documented. Their perspectives also show the expanding contemporary demographics of African-descended religions, many of whose members identify as LGBTQ or are part of other minoritized populations, and they counter inaccurate and often racialized portrayals of these religions as being anti-modern and geographically limited. Through the voices of the professionals, scholars, and activists gathered here, readers will appreciate the purpose and belonging to be found in the far-reaching communities of these Latin American and Caribbean spiritualities. As the seekers in these stories discover and come home to their new religious families, Spirited Diasporas displays the relevance and generative power of these traditions.
Splat Boom Pow!: The Influence of Cartoons in Contemporary Art by
Splat--ouch--Boom--ouch--Pow That hurts. Presenting work by 35 nationally and internationally recognized contemporary artists who have incorporated the imagery, technique, or style of the comics in their work, Splat Boom Pow makes evident the shift from traditional literary narratives to a visual language of myth as seen in comic strips over the last 40 years. Taking an in-depth look at the current phenomenon of cartoon-referencing work, its connection to the pop art movement of the 1960s, and the social and cultural factors that have shaped our understanding of the comics as a form of popular communication, Splat Boom Pow includes work by three generations of artists, among them Laylah Ali, Michael Ray Charles, Roy Lichtenstein, Takashi Murakami, Elizabeth Murray, Chris Ofili, Sigmar Polke, Peter Saul, Kenny Scharf, Jim Shaw and Andy Warhol.
Thirteen Ways of Looking at Latino Art by
The essayist and cultural commentator Ilan Stavans and the analytic philosopher Jorge J. E. Gracia share long-standing interests in the intersection of art and ideas. Here they take thirteen pieces of Latino art, each reproduced in color, as occasions for thematic discussions. Whether the work at the center of a particular conversation is a triptych created by the brothers Einar and Jamex de la Torre, Andres Serrano's controversial Piss Christ, a mural by the graffiti artist BEAR_TCK, or Above All Things, a photograph by María Magdalena Campos-Pons, Stavans and Gracia's exchanges inevitably open out to literature, history, ethics, politics, religion, and visual culture more broadly. Autobiographical details pepper Stavans and Gracia's conversations, as one or the other tells what he finds meaningful in a given work. Sparkling with insight, their exchanges allow the reader to eavesdrop on two celebrated intellectuals--worldly, erudite, and unafraid to disagree--as they reflect on the pleasures of seeing.
Twentieth-Century Latin American Poetry: A Bilingual Anthology by
Large anthology includes work by 58 poets. Extensive, but general, introduction. Poets arranged chronologically from Jos e Mart i to Marjorie Agos in. Volume includes few surprises and relatively few women. Bilingual format. Many translators; great fluctuation in quality. For detailed discussion of translations, see Charles Tomlinson in Times Lite"
Voices of Resistance: Testimonies of Cuban and Chilean Women by
Latin American women were among those who led the suffrage movements of the nineteenth and early twentieth centuries, and their opposition to military dictatorships has galvanized more recent political movements throughout the region. But because of the continuous attempts to silence them, activists have struggled to make their voices heard. At the heart of Voices of Resistance are the testimonies of thirteen women who fought for human rights and social justice in their communities. Some played significant roles in the Cuban Revolution of 1959, while others organized grassroots resistance to the seventeen-year Pinochet dictatorship in Chile. Though the women share many objectives, they are a diverse group, ranging in age from thirty to eighty and coming from varied ethnic and socioeconomic backgrounds. The Cuban and Chilean women Judy Maloof interviewed use the narrative form to reinvent themselves. Maloof includes narratives from a poet, a tobacco worker, a political prisoner, an artist, and a social worker to demonstrate the different faces of their struggle. In the process, these women were able to begin to put together their fragmented lives. Speaking out is both a means for personal liberation and a political act of protest against authoritarian regimes. The bond that these women have is not simply that they have suffered; they share a commitment to resisting violence and confronting inequities at great personal risk.
When Trying to Return Home: Stories by
Reading the West Book Awards Nominee Longlisted for the Aspen Words Literary Prize A New York Times Book Review Editors' Choice A dazzling debut collection spanning a century of Black American and Afro-Latino life in Puerto Rico, Pittsburgh, Louisiana, Miami, and beyond--and an evocative meditation on belonging, the meaning of home, and how we secure freedom on our own terms Profoundly moving and powerful, the stories in When Trying to Return Home dig deeply into the question of belonging. A young woman is torn between overwhelming love for her mother and the need to break free from her damaging influence during a desperate and disastrous attempt to rescue her brother from foster care. A man, his wife, and his mistress each confront the borders separating love and hate, obligation and longing, on the eve of a flight to San Juan. A college student grapples with the space between chivalry and machismo in a tense encounter involving a nun. And in 1930s Louisiana, a woman attempting to find a place to call her own chances upon an old friend at a bar and must reckon with her troubled past. Forming a web of desires and consequences that span generations, McCauley's Black American and Afro-Puerto Rican characters remind us that these voices have always been here, occupying the very center of American life--even if we haven't always been willing to listen.
With Eyes and Soul: Images of Cuba by
Milton Rogovin traveled to Cuba twice in the mid-1980s to photograph those he calls "the forgotten ones." He encountered renowned poet Nancy Morejon, who, upon seeing his images, decided to write new poems and select poems from her work that resonated with the photographs. The result is a spectacular collaboration between poet and artist that creates a multi-dimensional portrait of the landscape and people of a place that has been all but invisible to us since the embargo of Cubamore than 40 years ago. Translators Pamela Carmell and David Frye retain the voice and feel of the original poems. Nancy Morejon is one of Cuba's most important contemporary poets. Milton Rogovin is a world-renowned documentary photographer with works in many major collections.
¡Manteca!: An Anthology of Afro-Latin@ Poets by
"We defy translation," Sandra María Esteves writes. "Nameless/we are a whole culture/once removed." She is half Dominican, half Puerto Rican, with indigenous and African blood, born in the Bronx. Like so many of the contributors, she is a blend of cultures, histories and languages. Containing the work of more than 40 poets--equally divided between men and women--who self-identify as Afro-Latino, ¡Manteca! is the first poetry anthology to highlight writings by Latinos of African descent. The themes covered are as diverse as the authors themselves. Many pieces rail against a system that institutionalizes poverty and racism. Others remember parents and grandparents who immigrated to the United States in search of a better life, only to learn that the American Dream is a nightmare for someone with dark skin and nappy hair. But in spite of the darkness, faith remains. Anthony Morales' grandmother, like so many others, was "hardwired to hold on to hope." There are love poems to family and lovers. And music--salsa, merengue, jazz--permeates this collection.Editor and scholar Melissa Castillo-Garsow writes in her introduction that "the experiences and poetic expression of Afro-Latinidad were so diverse" that she could not begin to categorize it. Some write in English, others in Spanish. They are Puerto Rican, Dominican and almost every combination conceivable, including Afro-Mexican. Containing the work of well-known writers such as Pedro Pietri, Miguel Piñero and E. Ethelbert Miller, less well-known ones are ready to be discovered in these pages.
