To mark the last few weeks of the Fall semester and to bring some holiday spirit to the library, the Florham library created a book exhibit to celebrate the history and impact of musical theatre in the U.S. and around the world. Exhibit materials include books on the history of American musical theater, video recordings of renowned musicals like Hair and Rent, and books celebrating some of Broadway's most influential figures like Bert Williams and Stephen Sondheim.
Broadway Musicals: The Biggest Hit and Flop of the Season, 1959 to 2009 by
(Applause Books). When Evita opened on Broadway during the 1979-1980 season, it was (as one of its songs said) "High Flying Adored." But in the 1970-71 season, the producers of Lolita, My Love saw their show (as one of its songs said) "Going, Gone, Gone" after its torturous Philadelphia and Boston tryouts. It didn't even try to brave Broadway, although the bookwriter-lyricist of My Fair Lady had written it. It happens every season. Broadway has one, two, or a few hit musicals, but many, many more flops. Here's a look at the extreme cases from each season of the past half-century. The musicals that everyone knew would be hits The Sound of Music , The Phantom of the Opera , The Producers and were. The tuners that sounded terrible from the moment they were announced Via Galactica , The Civil War , Lestat and turned out to be even worse than anyone expected. The shows that were destined to succeed Breakfast at Tiffany's , 1600 Pennsylvania Avenue , Merrily We Roll Along but didn't. The ones that didn't have a chance Man of La Mancha , 1776 , Grease but went on to household-name status. Yes, Broadway is the oldest established permanent non-floating crap game in New York, and Peter Filichia takes a look at 100 shows that met either the most glorious or the most ignominious fates.
From Assassins to West Side Story: The Director's Guide to Musical Theatre by
Musicals are the most popular form of theatre around. While straight plays struggle to survive on Broadway, musicals play to near capacity houses. They are also a favorite of school and community groups. In this smart and practical guide, New Line Theatre artistic director Scott Miller looks at twenty musicals from a director's point of view, with solid suggestions for anyone thinking of embarking on such a production. Includes discussions of Gypsy, Assassins, Into the Woods, My Fair Lady, and West Side Story,as well as many others. Visit Scott's website at http://www.geocities.com/Broadway/3164/
Hair by
Fresh from the farm, Claude Bukowski arrives in New York City for a date with the Army Induction Board, only to walk into a hippie "happening" in Central Park and fall in love with the beautiful Sheila. Befriended by the hippies' pacifist leader, Berger, and urged to crash a formal party in order to declare his love for Sheila, Claude begins an adventure that lands him in jail, Central Park Lake and finally, in the army. But Berger's final effort to save Claude from Vietnam sets in motion a bizarre twist of fate ... with shocking consequences.
Introducing Bert Williams: Burnt Cork, Broadway, and the Story of America's First Black Star by
It is not hard to argue that every black performer in show business owes something to Bert Williams. Discovered in California in 1890 by a minstrel troupe manager, Williams swiftly became a regular player in the troupe. Traveling on from the rough-and-ready "medicine shows" that then dotted the West, he rose through the ranks of big-time vaudeville in New York City, and finally ascended to the previously all-white pinnacle of live-stage success: the fabled Ziegfeld Follies on Broadway. Inspite of his triumphs-he brought the first musical with an all-black cast to Broadway in 1903-he was often viewed by the black community with more critical suspicion than admiration because of his controversial decision to perform in blackface. Modest, private, and conservative in his personal life, Williams left political activism and soapbox thumping to others. More than the simple narration of a remarkable life,Introducing Bert Williams offers a fascinating window into the fraught issues surrounding race and artistic expression in American culture. The story of Williams's long and varied career is a whirlwind of inner turmoil, racial tension, glamour, and striving-nothing less than the birth of American show business.
Jersey Boys by
The story of four young men from the wrong side of the tracks in New Jersey who came together to form the iconic 1960s rock group The Four Seasons.
More Theatre Songs for Men: Piano, Vocal, Guitar by
Even more theatre favorites complete with a CD with piano accompaniments for each song. 10 titles, including: Consider Yourself * Dulcinea * I Believe in You * Pure Imagination * Put on a Happy Face * Sarah * The Surrey with the Fringe on Top * Take a Chance on Me * They Can't Take That Away from Me * Who Can I Turn to (When Nobody Needs Me).
Rent by
Focuses on the year in the life of a group of friends in New York's East Village. The "bohemians" live carefree lives of art, music, sex, and drugs. It is carefree until Mark, an aspiring filmmaker, and Roger, an aspiring songwriter, find out they owe a year's rent to Benny. Benny is a former friend who had promised them free rent when he married the landlord's daughter. Roger has also attracted the attention of his downstairs neighbor, Mimi. Mark's former girlfriend, Maureen, has found a new romance with a lawyer named Joanne. Philosophy professor Tom finds his soul mate in drag queen Angel. With this being the late 1980s, the threat of AIDS is always present.
Sondheim's Broadway Musicals by
With thirteen Broadway musicals to his credit, Stephen Sondheim's career in the musical theater has outdistanced those of most of his contemporaries. Each of his shows has presented new challenges to audiences, and each has cast fresh perspectives on the nature and potential of the American musical, as well as probing deeply, often painfully, into the nature of our culture. Sondheim's Broadway Musicals is the first book to take an in-depth look at Sondheim's work. Stephen Banfield examines each of Sondheim's musicals for Broadway, from West Side Story and Gypsy to the 1987 musical Into the Woods, and includes A Funny Thing Happened on the Way to the Forum, Company, Follies, Anyone Can Whistle, A Little Night Music, Pacific Overtures, Merrily We Roll Along, Sweeney Todd, and Sunday in the Park with George. Banfield also discusses Sondheim's other work, such as the 1991 show Assassins and his music for the 1990 film Dick Tracy--for which "Sooner or Later" won him an Academy Award for Best Song. "Banfield seems almost to hear Sondheim's music with Sondheim's ears. This extremely valuable work discusses Sondheim's early training and subsequent career, his general compositional concerns, and his style. The meat of the book is a musical-dramatic analysis of his musicals . . . . For each musical, Banfield places the work and its components in a historical and typological text. He also treats in welcome detail the musical profile or universe of each show: Sondheim's use of generative intervals or interval complexes as source material, motifs that reappear in various guises in various songs, the sound world that defines the musical's emotional mind. The book will be as useful to those who are cool to Sondheim's work as to his fans." --Choice
Writing Musical Theater by
This guide to the modern musical covers the entire process of creating a show, from finding and working out the initial idea, through to the ways in which writers can market a finished show and get it produced. For the interested theatregoer and writers, it is written in a lively and user-friendly style and illustrated with numerous examples.
