These theses collectively offer a framework for understanding the cultural significance of monsters and their role in shaping human societies and identities.
Thesis I: The Monster's Body Is a Cultural Body: Monsters represent cultural anxieties and fears, reflecting societal values and beliefs through their physical appearance and behavior.
Thesis II: The Monster Always Escapes: Despite attempts to control or suppress them, monsters persist in cultural imagination and often resurface in new forms or contexts.
Thesis III: The Monster Is the Harbinger of Category Crisis: Monsters challenge established norms and categories, blurring boundaries between the known and the unknown, the human and the non-human.
Thesis IV: The Monster Dwells at the Gates of Difference: Monsters symbolize the Other, embodying marginalized identities or experiences that disrupt the status quo and provoke societal reflection.
Thesis V: The Monster Polices the Borders of the Possible: Monsters delineate the limits of cultural acceptability, enforcing social norms by embodying and embodying consequences for transgression.
Thesis VI: Fear of the Monster Is Really a Kind of Desire: The fascination with monsters stems from a desire to confront and explore taboo subjects or forbidden desires in a safe, controlled manner.
Thesis VII: The Monster Stands at the Threshold...of Becoming: Monsters offer the potential for transformation and growth, challenging individuals and societies to confront and overcome their fears in order to evolve.